mormaçoqueimaLeave the World Behind: How the USA treats the OthersSam Esmail’s cinematic adaptation of Rumaan Alam’s novel, “Leave the World Behind,” unfortunately falls short in its endeavor to translate…Mar 20, 2024Mar 20, 2024
mormaçoqueimaKitchikouar o Chaoach: an anticolonial aestheticA Film Analysis of The Pearl Button (Patricio Guzmán, 2015)Jan 26, 2024Jan 26, 2024
mormaçoqueimaTowards a trans cinema: Transgender subjectivity in Céline Sciamma’s “Tomboy” (2011)by Nicola TencaAug 27, 2023Aug 27, 2023
mormaçoqueimaFrom The African Queen (1951) to La Noir de… (1966): An anti-colonial turnReleased in Hollywood’s golden age, John Hudson’s The African Queen (1951) became so popular and recognized by the North American audience…Aug 26, 2023Aug 26, 2023
mormaçoqueimaWhite guilt and the creation of Europe: an analysis of Michael Haneke’s HiddenIn his film Hidden (2005), Michael Haneke builds a narrative in which a white upper-middle-class man and woman are haunted by the…Aug 27, 2023Aug 27, 2023
